Sick City Windows

Capturing New York's sick windows & city happenings

Tag: Art

War Hole

“Dying is the most embarrassing thing that can ever happen to you.” Andy Warhol

Okay so theres a totally sick Andy Warhol exhibit at the Met right now. If you can get past the fact that like Terry Richardson, Warhol was a white spindly rapey creep– it’s actually pretty enjoyable. The whole factory thing sounds really industrial, abject and speedy, and he was a total revolutionary in the commodification of art–but any person that wears turtlenecks as ubiquitously as he, is just not to be trusted. I’m also not 100% sure he’s not 100% reposnsible for Edie’s death. unclear.

Last year I went to an event at the Moma that recreated his screen tests. I filmed one. It’s so bad. My eyes, total wonk. they slow down the film. But you can watch it here. xx

Image courtesy of feelnumb.com

You Can’t Take Away Our Style.

“I believe that treating other people well is a lost art.” Tim Gunn

Last night I went to a Tim Gunn interview at the Y. He just wrote a new book on the history of fashion, which would have made for a really great discussion had he not evaded the subject entirely. Instead he droned on and on about his history with Parsons and Project Runway– two things I care very little about.

But during the 2-hours of self aggrandizement and inability to answer even the most basic of questions straightforward, he did mention one thing that peaked my interest. And that was something along the lines of, “We don’t need fashion. We need clothes, but not fashion.” Which I found very interesting. Sure on the one hand no, anthropologically we don’t need fashion to survive, just basic covering from the elements. BUT on the other hand, the colored fanciful hand with a brush in it– fashion is a work of art. And as humans we very much need our art. Literature, music, performance…Throughout the dawn of civilization creative expression has been primordial to our existence. Art is cathartic. It is a voice and a sound. It is probing and understanding. It is collective and individual. Intimate and distant. Romantic and industrial. Whole and broken. Art is humanity. Literally- it is the exposition of the human plight.

In addition to tools, musical instruments, figurines and ritualistic garb were some of the first inventions ever created. And we are still innovating today. We art to communicate. Our dress included… But you guys already knew that.

Image courtesy of imdb.com

The Jester and I.

“The artist is still a little like the old court jester. He’s supposed to speak his vicious paradoxes with some sense in them, but he isn’t part of whatever the fabric is that makes a nation.” William Faulkner

I guess continuing with today’s theme of royalty- I imagine Miu Miu’s FW12 to be that of which my court jester would be swathed in. Kaleidoscopic. Variegated. Indulgant… Here’s some runway:

Miu Miu, 11 East 57th St, 212.641.2980
Images courtesy of Style.com

Paz Be With You.

“I just feel like everyone and their mother thinks they can be an artist. You can’t. Sorry. I know I was born to be one.” Paz de la Huerta

I totally had a ‘chic couple’ post slated for this afternoon but I’m so mother fucking hungover today. Not. Happening. What is happening though are some jack shots of wisdom from perennial shwastecase Paz:

on rest: “I needed this. This construction worker I’ve been fucking has really been keeping me up late.”

on acting: “It’s a period bush. The series takes place in the 1920s. I’m trying to get into character.”

on fashion: ”Shitty boas are tacky.”

on ghost sex: “…It was like the time I went to Graceland. Elvis’ ghost gave me an orgasm in his recording studio.”

on image: “I want to make it clear to England, I am not a party girl.”

Image courtesy of popbytes.com

“Anything’s Gotta Be Better than Lying Around All Day Waiting for Me to Fuck You.”

“Can’t you stop saying fuck all the time?” Scarface

This Agent Provocateur window screams fuck Elvira Hancock. ”It’s like… drug kingpin trophy wife posh,” “oh you mean like Scarface,” “YES.” Not really a fan of the film myself– what? Growing up it was the only movie my thug-life-wanna-be friends would watch. Every. Fucking. Day. Which will just about do it for any movie. Maybe now that I’m out of the ‘hardcore Boca game’ I can finally appreciate it. Jees knows I love a good Michelle film.

Agent Provocateur, 133 Mercer, 212.965.0229

Are You Sure You’re 17?

 ”Does anyone know what [pastoral] means?
Oh yea, that’s what they do to milk.
No Sarah that’s pasteurize.
Parakeet?” Never Been Kissed

rag & bone has some new wall art and it’s totally pastoral… ”from the Latin pascere, to graze.”

Now- let me just disclaimer that I haven’t abandoned store windows there just really aren’t any right now. I’ve been uptown and down. Soho, 5th ave– nothing. Meh.

rag & bone, 73 East Houston, 212.777.2210

The Great Debate

“Take commonplace, clean it and polish it.” John Cocteau

Anyone who knows me knows I do not fuck around when it comes to my nails. I’ve been getting them done every two weekes religiously for the past ten years and to me hands are like a second mouth. Nails always have something to say. Mine speak of understated elegance, unrelenting chicness. Yours? From what I’ve seen– not so much.

To a certain degree I get it, standing before rows of color can be quite intimidating. Especially when 15 women are yelling “pik’a colah” at you. Except that it’s really not. That difficult. Out of all the options available, both mainstay and seasonal– there are only a handful meant to be taken seriously. Blue-based reds. Black. Nude. Grey. Blue. Brown. That’s it. No orange. No purple. No green. And never under any circumstance pink. Or yellow. Ever. Neon? What the fuck is neon?

OPI Red/ Black Onyx/ Brooch the Subject/ Gym Dandy/ Russian Navy/ Suzi Loves Cowboy

When it comes to the great debate, OPI vs. essie, there’s an easy solution. OPI for bold primary colors. Essie for pastels, nudes and mauves. OPI can’t get their natural palette down without looking streaky and essie can’t get their primaries opaque enough. Done and Done.

Nails and toes should never match and should always balance one another as an aesthetic whole. E.g. no OPI Red toes with Ski Teal We Drop fingers. They’re great singular colors, but red + teal is a major ‘art deco’ imbalance. Unless you’re wearing this. OPI Red toes with Sand Tropez fingers is an entirely different story though. A major vogue story. I tend to lead with the stronger color on my feet, but that’s because I like for my energy to flow up, not down. And I also have really nice finger nail beds for neutrals. Square with rounded edges only. Not square. Not round. No claws outside the bedroom.

Like Linen/ Sand Tropez/ Dutch Tulips/ You Don’t Know Jacques/ Yogaga/ Chinchilly

Generally speaking ’they say’ go dark for fall and light for spring but I could care less about seasons. Especially when some places don’t have them. To me it’s all about picking colors that are just naturally posh– in addition to complimenting you skin, location and life tone. If you’re of the tan persuasion the nail world is your oyster. Within reason. Pale, not so much. Bold color is your only pearl.

Ambiguous shades are a total deal breaker. Reddish orange– no. Purpleish pink, MOM– fuck no. Stay away from shimmer and only make exceptions for sparkle on New Years never. Nail art– don’t come again?

Color So Hot it Berns/ I Break for Manicures/ Angel Food / Jazz/ Ski Teal We Drop/ Roadhouse Blues

Remember that an esthetician can be your best friend, or my worst fucking enemy. Color, shape, shade– none of that matters unless you’ve found a total perfectionist with over the top OCD tendencies. Someone who files fast, buffs deep and stops at nothing short of painted perfection. She must understand the nail bed and appreciate your cuticle story. The best are at BB. Where you can totally catch my fashion broadcasts. Win, mother fucking win. Your welcome.

Stop Leaning Against The Wall- It’s Wet.*

“As far as I can tell the only thing worth looking at in most museums of art is all the schoolgirls on daytrips with the art departments.” Banksy

To the Asshole ‘Graffitist’ who defaced rag & bone’s DAL’ian lion last night,

You. Fucking. Suck.

Love,
Me.

*Banksy

Update On: Savages

“Savages we call them because their manners differ from ours.” Benjamin Franklin

I thought since I mentioned how excited I was to see Savages, that I should totally give an update. Mediocre at best. Mad decent, if you will… Like, aside from the gratuitous weed, the only other thing that really piqued my interest was Salma’s kick ass choker. Which could only have been more perfect if it was black diamonds.

I understand that the movie was trying really hard to becloud what it means to be “savage” in this less than perfect world, especially the less than perfect Laguna Beach mansion dwelling, weed selling world that Ben and Chon inhabit, but like movies shouldn’t have to work so fastidiously to get their point across. They should just be there. I’m not talking about being spoon fed meaning, it’s just that when it comes to film, and all art really, I think a work should exist totally in itself; its meaning evidenced by its literal and figurative structure(s). So either Savages should’ve been deep in its construction of, and exposition as a deep movie, or more enjoyably left as a druggy menagé puff piece. Which speaking of, the relationship between O (Lively), Ben (Johnson), and Chon (Kitsch) was as clammy and forced as the film itself with the only serious nodes of love stemming from the guys’ ‘mo-roticism.

Maybe I need to see it again. at home. really really stoned. Maybe then will I find the deeper meaning it obnoxiously fails to procure. Or I could just never watch it again. Which will most likely be the case, because Blake Lively is an awful narrator.

Image courtesy of imdb.com

And Then.

There really is no print less chic than polka dot- okay maybe zebra, but I’m always game for a little fashiony arty collab, even if it is modern art. What can I say? I love the classics, especially salon paintings…

Yayoi Kusama emigrated from Japan in the 60′s, joined the nyc avant-garde scene, got totally famous doing polka dots and nets, and then went back to Japan to become one of their most prominent contemporary artists. Came. Conquered. Gone. And now, in her ripe young age of 83′ish she designed a collection for Louis Vuitton, hence the windows. Which, totally remind me of leeches, which makes me think of Willem Dafoe in Speed 2. Which kind of freaks me out.

Anyway, you can check out the collection here. I’m really not into it. whatsoever. All I have to say is like we know what somebody’s favorite Disney movie was growing up. Sweetie just buy the Dalmation, or 101 of them, so you can cross it off your bucket list while you still have one… Or maybe just les it out with Lindsay. xx

Here are some of Yayoi’s works, and many others, comprising the whole of her career will be on exhibit at The Whitney July 12- September 30.

Images courtesy of YayoiKusama, Bombsite & BelovedBlogger  

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